The Creative Performance Based On Ancient Sculptural History and Bas-Reliefs: “Phadae Preah Yatra” (The Divine Procession Lintel)

Abstract

This study explores the primary objectives were to explore the choreographic patterns and creative components of the performance “Phadae Preah Yatra” (The Divine Procession Lintel), drawing upon civilizational footprints that embody the cultural identity found in the lintels of Phimai Historical Park. And to analyze the conceptual insights gained from the artistic creation of the “Phadae Preah Yatra” dance set, synthesized from the civilizational traces and cultural identity inherent in the Phimai Stone Castle lintels. Utilizing a mixed-methods research approach, the project integrated qualitative fieldwork, in-depth interviews with multidisciplinary experts, and a systematic creative process encompassing eight fundamental elements of performing arts.

The research findings indicate that Phimai Historical Park’s Mahayana identity, where 11th-12th-century lintels inspired “Art Historical Dance.” By synthesizing Isan folk and Thai classical movements, this creative work decodes local craftsmanship and symbolizes Buddhist veneration, specifically the concept of divine protection epitomized by the Naga-sheltered Buddha. This cultural innovation is categorized into eight core components of dance composition: 1) Performance Design, structured into three acts: Act I: The Prologue of Faith, Act II: Lithic Animation and the Grand Procession, and Act III: Somphot Phuttha Barami, 2) Casting, 3) Choreography, 4) Prop Design, 5) Sound and Music Design, 6) Costume Design, 7) Lighting Design; and 8) Performance Space Design. Furthermore, the researcher integrated three conceptual pillars into the creative process: 1) Creative Innovation in Performing Arts, 2) The Application of Symbolism, and 3) Theoretical Integration of Dance, Music, and Visual Arts. This study represents an academic advancement by synthesizing performing arts with interdisciplinary knowledge, providing a robust framework for the preservation and future development of cultural heritage performances.

Highlights
1. This research establishes a novel “Art Historical Dance” framework by synthesizing 11th-12th century Mahayana iconography from Phimai Historical Park with contemporary choreography, effectively bridging archaeological heritage and the performing arts.
2. The study introduces the “Lithic Animation” technique, which employs cinematic-style fade-transitions to transform static bas-relief carvings into live “tableaux vivants,” thereby animating historical stone inscriptions for contemporary audiences.
3. A unique movement vocabulary was developed through the hybridization of Isan folk elements and Thai classical dance, specifically designed to decode ancient craftsmanship and symbolize the “Naga-sheltered Buddha” iconographic concept.
4. The research demonstrates the strategic use of the “THAI-THAI” framework to transform cultural capital into “Experience-Based Tourism,” showcasing creative performance as a catalyst for socio-economic development and sustainable community tourism.
5. Utilizing a mixed-methods approach, the study implements a comprehensive eight-element production model comprising script, choreography, casting, costume, music, space, lighting, and props to ensure a balance between rigorous academic inquiry and high-level aesthetic innovation.